|Stupor - STUPOR|
STUPOR is a band from Poland formed by Patryk Lichota playing saxophone with preparations, Fryderyk Lisek who uses his own software programmed in Pure Data, and Piotr Tkacz playing on turntable with objects. The band started playing in November 2011 and this is a recording from February 2012. Like all STUPOR recordings, this organic and noisy piece it's purely improvised. Stupor is our attempt to probe the possibilities of long-form, continous improvisation...
Keywords: experimental; improvisation; electroacoustic
|Drift / To become - Miguel A. García & Daniel Simon|
We don't need to think back to the London riots of August 2011 to find ourselves in a Ballardian context. Figures like the Spanish employment minister Fátima Báñez, the president of the Community of Madrid, Esperanza Aguirre or the magnificent Angela Merkel would have been characters that border on the implausible, and could have even been included in Ballard's dystopian visions. Thanks to the aggravation and extension of penal consequences in marches, the hardening of the Spanish penal code ...
Keywords: experimental; electronic music, electroacoustic, noise, industrial ambient
|Resurrection Protocol - Mario Bastian|
Mario Bastian shows a work halfway between composition and improvisation in Resurrection Protocol. He creates this quite organic and hardly classifiable piece playing with the idea that our biological and intellectual being is likely to be encoded-decoded in data. Un trabajo a medio camino entre la composición y la improvisación es lo que nos ofrece Mario Bastian en Resurrection Protocol. Jugando con la idea de que todo nuestro ser biológico e intelectual es susceptible de ser codificado-deco...
Keywords: experimental; improvisation; electroacoustic; sound art; Madrid; noise; industrial
|Cilindros de cera - Irísono|
Wax cylinders were the first media used to record and play sounds or music. In this new sound work of artist Javier Iriso, he recovered seven Hungarian folk songs sung by farmers and collected by Zoltán Kodály on wax cylinders from 1905-1914, a work that passes through the appropriation, making their sounds of more than 100 years creating a new context for the same sound with little change the font...
Keywords: Concrète; Electroacoustic; Electronic music; Experimental music; Sound art